Craft Archives

Fact and fiction. As a writer of historical novels, I find it endlessly intriguing to play with how to entwine the two. History has always fascinated me—I find the grand tapestry of the past is woven with so many richly colorful and textured threads that help us understand the present. And so, I’ve always enjoyed adding real historical events and real historical figures to my stories, though, f…

We’ve all had that experience of stepping into an elevator, realizing you’re in there with an editor or an agent, and he or she asks you what you’re working on. As you stammer out your long-winded answer (starting off with the classic “Well, it’s complicated”), the moment ends (i.e., the elevator door opens) and said editor or agent goes their way. Could you have made use of that opportunity by…

It is a truth universally acknowledged that stories have a beginning, middle, and an end. For some authors, the beginning of the story gives them trouble as they grapple with whether to start a book in medias res (“in the midst of things”), when the reader and character are plunged into a crucial situation, or by conveying the protagonist’s everyday world so the reader bonds with that character…

Tropes, characters, and story What do you think of when you hear the word trope? Do you think of a story building block? Or an overused concept? These days, we hear about tropes often, but the meaning is less specific. Some writers love them, while others loathe them. One constant is that tropes are a storytelling staple stemming from fairy and folk tales. Tropes are valuable storytelling build…

I recently finished writing my 18th book. To some that makes me a baby writer, but to others it’s seasoned writer territory. Wherever you fall on that scale, I think we can all agree that by book 18 you’ve probably figured out the basic structure of a book and reader expectations for your genre. That doesn’t mean you won’t run into issues while writing. My issue with book 18 was that I could no…

In fiction, the term “red herring” is a technique designed to distract the reader by introducing misleading information. It’s a false clue, meant to deceive, before the truth is revealed. Take a look at your latest story. Have all your plot twists been resolved? Do you have any red herring plot threads that you overlooked? There’s nothing more frustrating than finishing your book, tweaking ever…