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Cozy mysteries have been popular since the days of Agatha Christie. Readers enjoy these stories that are a subgenre of the traditional mystery. Detective stories, police procedurals, and courtroom dramas also fall under the mystery umbrella. In a traditional mystery, there’s a murder that must be solved. Missing persons or theft are other possibilities, as long as they present a puzzle for read…

We’ve all heard the widely accepted advice given to authors who want to succeed in today’s crowded fiction space: write a series, stick to popular genres and sub-genres, and target a wide audience. This all make perfect sense and has yielded enviable levels of success for many authors. But sometimes going for the widely popular just isn’t the path for us, and deciding to go a niche route is a v…

George Orwell was a big liar. So was George Elliot. And Dean Koontz. And all three of those nefarious Brontë sisters. And Mark Twain. And Agatha Christie. And George Sand. And Nora Roberts, of course. And that most insidious of liars, Dr. Seuss. So was Jane Austen, though to a lesser extent. When Austen’s novel Sense and Sensibility came out in 1811, the phrase “By a Lady” was printed in place …

Writing a novel and determining how to publish it—whether through an agent, a publishing house or independently—is daunting enough, but should an author also create a Limited Liability Corporation (LLC)? Michael Banner, founder of an LLC filing service and multi-published author of apocalyptic thrillers, answered with a resounding “Yes!” “Anybody who’s a professional should set up an entity imm…

Savvy authors are always looking for new ways to reach readers and increase their income, but it’s important to do your research before jumping on the latest bandwagon. While serialized fiction has been around for well over a century, the format has been brought into the internet age through apps. What is a serialized fiction app? These mobile-first platforms allow authors to offer serialized c…

As we enter our third year of the pandemic, writers of contemporary fiction face a dilemma: to write about the coronavirus or not.* In the past, diseases have formed a backbone for artistic storytelling—tuberculosis in La Bohème, for example, or AIDS in Angels in America—written while the maladies they discuss continued to spread uncontrolled. But are contemporary audiences ready to face storie…