Skip to main content

language Archives

Filters

 

Search by Category
Search by Author

From Our Blog

Best Left Unsaid: Mastering Omission, Misdirection, and Precision in Dialogue

|
We all want to write fast-paced, energy-packed dialogue, but like everything else related to being a novelist, what looks the most effortless from the outside is actually the most challenging. The magic of sizzling dialogue lies in what’s not said—an invisible tension beneath the words. Omission, misdirection, and precision make otherwise mundane conversations come alive. The goal is dialogue t…

Marketing Your Book with Key Phrases

|
How to find the phrases that sell your books Anyone who’s paid attention to advertising and marketing can tell you that the right phrases and words get a reaction from consumers. And that definitely goes for the marketing of your books. So how can you find the phrases and words that work for you and sell your unique books to your unique audience? What’s the point of your marketing? Marketing is…

Freshening Up Our Backlists

|
You can never read the same story twice. Some of us complain about returning to earlier favorites only to find they’ve been rendered unreadable by visits from an imaginary being called “the Suck Fairy.” The Suck Fairy brings to our attention the unfortunate assumptions our favorite authors made as they created their fictional worlds: the racism implicit in Tarzan’s superiority over Black Africa…

Code-Switching: More Than Just Slang

|
In today’s fast-paced society, it’s extremely common to shorten or truncate language in order to get a message across quickly and efficiently. We can see this penchant for abbreviation in things like the 250-character tweet or text messages filled with linguistic acronyms meant to convey broad meanings with as few letters as possible. While code-switching can truncate language, it is much more …

How to Make Your Readers Really Feel ~ Writing the Emotion!

|
If you want your story to connect with the reader and be memorable, it’s not enough to simply tell a story and explain the characters’ feelings. Instead, you need to immerse your reader in a myriad of emotions to experience the story and really make them really feel. So if you have ever received feedback such as: I didn’t connect with the characters or The story lacked emotional depth, or perha…